Call for Entries: SIFF’s Sino-US Student Shorts Exhibition and Competition

March 15, 2011

The 14th Shanghai International Film Festival (June 11-19, 2011)
Sino-US Student Shorts Exhibition and Competition

Call for Entries

Hosted by the State Administration of Radio, Film and TV (SARFT) and the Municipal Government of Shanghai, Shanghai International Film Festival ( is one of the A-class festivals in the world, receiving world recognition for its diversity of programming and market initiatives and is attracting more internationally renowned filmmakers and talents to Shanghai every year. With a history of more than 15 years, SIFF has become an important platform for film exhibition, film business, and exchanges of creative ideas. Many emerging filmmakers were first discovered at SIFF.

In the past several years, to showcase the creative potential of international student filmmakers and to promote international exchanges and cooperation of young filmmakers, SIFF added a new section, “International Student Shorts Exhibition,” to its rich programming, which was warmly received by the festival audience and won wide social recognition. This year’s SIFF, which takes place from June 11th to June 19th, will build on the success of the past several years and feature specifically the outstanding student works from China (including Hong Kong, Macau, and Taiwan) and the United States with the “Sino-US Student Shorts Exhibition and Competition” program.

To be eligible for SIFF’s “Sino-US Student Shorts Exhibition and Competition,” submit your entry according to the attached procedure and before the deadline, which is May 10, 2011 (postmarked). The section is open to all student filmmakers (both undergraduate and graduate levels) from the greater China region and the United States.

A selection committee will be formed and make selections by casting ballots. Selected finalist films will be publicly screened at the film festival and compete for a variety of awards. All finalists will be issued an official certificate of recognition by the Shanghai International Film Festival.

Entrusted by the organizing committee of the 14th Shanghai International Film Festival, Shanghai University’s School of Film-TV and University of Hawaii’s Academy for Creative Media will be the co-organizers of the program.

Organizing Committee
Sino-US Student Shorts Exhibition and Competition
The 14th Shanghai International Film Festival
School of Film-TV, Shanghai University
Academy for Creative Media, University of Hawaii at Manoa

Download Related Documents Here (PDF):

1) Download “Call for Entries” (siff-callforentries);
2) Download “Entry Guidelines” (siff14-guideline);
3) Download “Entry Form” (siff-entry form).


China’s import quotas poised for increase

March 6, 2011

True Grit (2010), written and directed by the Coen brothers, second adaptation of the 1968 novel by Charles Portis, previously adapted for film in 1969 starring John Wayne.

China is expected to loosen its quotas on the import of foreign films, but it may not change the duopoly control of theatrical distribution.

That was the advice given this morning by Mason Xu (许亮), chief financial officer of film distributor Bona Group (博纳影业集团), in a conference call with financial analysts and journalists. China has until 19 March 2011 to comply with a ruling by the World Trade Organisation (WTO) that it must open its domestic markets to foreign content and distributors.

Xu’s remarks appear to suggest that state regulators may bring in changes, but not go as far as had been sought by the US trade authorities, which initiated the WTO action.

“In the past few weeks we’ve talked to [Chinese] government officials and the latest update is that the market is going to be liberalised by raising the quota in imported films. In terms of Hollywood blockbusters we’re going to see, most probably, more than thirty films [per year] to be imported into China,” he said in response to a question from a Merrill Lynch analyst. “But on the other hand the private business owners, the right to distribute the imported films, the Hollywood blockbusters, remains with the two [state-owned] players China Film Group (中国电影集团公司) and Huaxia [Film Distribution] (华夏电影发行公司). No other participants are allowed to take part in the distribution of these titles.”

Xu went on to say that raising the quota for revenue sharing films from its current 20 per year limit will not have any significant impact on the share of the theatrical box office market occupied by local Chinese films. Local titles accounted for 55% of Chinese box office revenues in 2009 and 56% in 2010, he said.

In its decision in August 2009 the WTO ruled that, by requiring imported media products to be distributed through Chinese state-owned enterprises, China breaks the commitments to free trade that it signed up to in 2001. The WTO did not overturn China’s quotas on film imports.

China appealed against the ruling, but in December 2009 a WTO panel rejected China’s appeal and set the 19 March 2011 deadline for compliance. At the time, US Trade Representative Ron Kirk characterised the ruling as “a big win” for American companies. Since then there have been indications that China may not be ready to comply with the deadline.

Addressing press and industry at the Beijing Screenings (北京放映目录) last September La Peikang (喇培康), deputy director general of the Film Bureau, said “the film law cannot come as fast as March.”

The Film Bureau has been drafting a wide-ranging new set of regulations for the film industry known as the China Movie Industry Promotion Law. La said that it was unlikely that this will be completed in time to be sent for approval by China’s parliament, the National People’s Congress, which meets from this week.

China’s theatrical box office market grew by some 55% last year to hit $1.5 billion.

Source: Patrick Frater, 02 March 2011, Film Business Asia